It almost seemed like Yokoyama was more fascinated with the overall sound of the night itself than his own playing - not playing for entire in-heads and solos and taking only a couple solos himself. Take takes no prisoners when he gets going.
People power in the streets, jazz music on the sheets.
It almost seemed like Yokoyama was more fascinated with the overall sound of the night itself than his own playing - not playing for entire in-heads and solos and taking only a couple solos himself. Take takes no prisoners when he gets going.