It almost seemed like Yokoyama was more fascinated with the overall sound of the night itself than his own playing - not playing for entire in-heads and solos and taking only a couple solos himself. Take takes no prisoners when he gets going.
Looking for jazz and justice in a world falling apart.
It almost seemed like Yokoyama was more fascinated with the overall sound of the night itself than his own playing - not playing for entire in-heads and solos and taking only a couple solos himself. Take takes no prisoners when he gets going.